book adaptation tagged posts

Out of Blue

Director: Carol Morley

Writer: Carol Morley

Cast: Patricia Clarkson, Mamie Gummer, Toby Jones, James Caan, Jonathan Majors, Jackie Weaver, Brad Mann, Todd Mann

Cert: 15 (TBC)

Running time: 110mins

Year: 2018


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What’s the story: When a noted astrophysicist is murdered, troubled detective Mike Hoolihan (Clarkson) investigates the case.

What’s the verdict: Carol Morley’s 2014 feature The Falling was equally lauded and lambasted. History is unlikely to repeat itself with her latest movie. Out of Blue won’t receive any unequivocal praise.

An indigestible hotchpotch of neo-noir trappings crudely spliced with ruminations on quantum physics, its false notes echo across the multiverse.

Based on Martin Amis’ 1997 novel Night Train, we open on a dying star, before the plot zooms in on ast...

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Must-See Movies at FrightFest 2018

The biggest monster in 2018 is my dear friend who has chosen to get married abroad this August Bank Holiday weekend.

Ahem, I jest. It is, of course, a privilege to be invited to his wedding. Plus, it means I shall spend the next 12 months catching up with the fantastic films listed below. An all-year-round FrightFest? There’s an idea…

Arrow Video FrightFest 2018 sees the festival entering a remarkable 19th year, and showing no sign of easing up on the shocks, surprises, special guests and treats.

Located at Leicester Square’s Cineworld and Prince Charles Cinema, the celebration of shivers runs from Thursday 23rd to Monday 27th August.

Over these five days FrightFest will showcase a record breaking seventy movies from eighteen countries...

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Incredibles 2 – The Electric Shadows Podcast

Episode 46 of The Electric Shadows Podcast may focus on Incredibles 2, but Robs Daniel & Wallis squeeze in much more movie talk besides.

Other films discussed are Hereditary (one Rob is warmer to it than the other), Sicario 2: Soldado (the other Rob is warmer to it than the other), Oceans 8 (only one Rob has seen it) and Leave No Trace (only the other other Rob has seen it).

There is also time for a quick rundown of Mission: Impossible movies and superhero films when delivering their verdict on Incredibles 2.  And Rob Wallis impresses with his knowledge of Shakespeare. Everything crammed into just over an hour. Who says they can’t be disciplined with run times? They do actually…



To check out Rob Wallis’ movie writings, head over to www.ofallthefilmsites.com

Twitter: rob_a_daniel

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“Yippee-Ki-Yay, Thirtysomething!” Die Hard hits the Big 3-0

Watching Die Hard today could not be easier. Simply add it to your digital basket and chances are you’ll be watching it in under 24 hours. Or the very same day. In 4K Ultra-HD if you are so set-up.

But, things were different for us UK action junkies who were teenagers when the film was released. First up, as was the fashion of the time, despite a US release date of July 1988, we had to wait until February ’89.

Now it is a BBFC certificate 15 (although DVD extras push it to 18). Back then the film was an 18, meaning another wait for video later in the year and then persuading a parent the film was worth renting. The final hurdle, if you lived in rural Northamptonshire as I did, was that 10 VHS copies of Die Hard had to cater for a town of 10,000 people...

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Ready Player One & Annihilation – The Electric Shadows Podcast

In episode 41 of The Electric Shadows Podcast Robs Daniel & Wallis journey deep into pop culture and sci-fi when delivering their verdicts on Steven Spielberg’s Ready Player One and Alex Garland’s Annihilation. In a typically all-encompassing discussion, Rob D explains why he dug the pop-culture geek-gasm of RP1, while Rob W reveals his reservations about Spielberg’s latest. Conversely, Rob W talks about why Garland’s Annihilation is a masterpiece, and Rob D is the one with the criticisms. Basically, the entire tapestry of the 21st century human experience is here.

Other topics include why releasing movies straight to streaming services could mean the end of thought-provoking mid-range cinema...

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Ready Player One

Director: Steven Spielberg

Writers: Zak Penn, Ernest Cline (screenplay), Ernest Cline (novel)

Cast: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Mark Rylance, Lena Waithe, T.J. Miller, Simon Pegg

Cert: 12

Running time: 140mins

Year: 2018



What’s the story: 2045, Colombus, Ohio. In an over-populated world where trailer parks have become cities, the masses seek enjoyment in the virtual reality world of the OASIS (Ontologically Anthropocentric Sensory Immersive Simulation). Expert gamer Wade Watts (Sheridan) and others attempt to win a competition that awards them vast wealth and control of the OASIS. Evil corporate CEO Sorrento (Mendelsohn) unleashes an army to ensure no mere gamer wins the ultimate prize.

What’s the verdict: Tron. The Matrix. Ready Player One...

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Sorcerer – William Friedkin’s zero hour contract masterpiece

When discussing Blade Runner, Ridley Scott said, “It’s as bad to be ahead of your time as behind it.”

Director William Friedkin can sympathise with this.

In the early 1970s he was a filmmaker in synch with the mood of the nation. He revitalised the cop thriller with The French Connection in 1971, nabbing Best Director and Best Film among a five Oscar haul.

Two years later he reinvented horror cinema for the modern age with The Exorcist.

Then, in 1977 he delivered to American audiences Sorcerer, a film fundamentally at odds with a country aching to slough off a decade of uncertainty and corruption.

A loose remake of Henri-Georges Clouzot’s 1953 thriller The Wages of Fear and Georges Arnaud’s same-name source novel, Friedkin’s movie was too bleak for a nation hungry for the escapist th...

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Blade Runner, Orient Express, Thor Ragnarok – The Electric Shadows Podcast

Episode 32 of The Electric Shadows Podcast is a bumper round-up. Rob Daniel & Rob Wallis take a belated look at Blade Runner 2049, deduce what they think of Murder on the Orient Express and it’s hammer time with Thor: Ragnarok.

There’s even space for a quick review of William Friedkin’s Sorcerer and George Clooney’s Suburbicon.



To check out Rob Wallis’ movie writings, head over to www.ofallthefilmsites.com

Twitter: rob_a_daniel

iTunes Podcast: The Electric Shadows Podcast

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Murder on the Orient Express (2017)

Director: Kenneth Branagh

Writer: Michael Green (screenplay), Agatha Christie (novel)

Cast: Kenneth Branagh, Michelle Pfeiffer, Johnny Depp, Penelope Cruz, Judi Dench, Daisy Ridley, Willem Dafoe, Derek Jacobi, Josh Gad, Leslie Odom Jr., Olivia Colman, Lucy Boynton, Sergei Polunin, Manuel Garcia-Rulfo

Cert: 12

Running time: 114mins

Year: 2017


 


What’s the story: As the Orient Express travels through the mountain ranges of the middle east, one passenger is murdered. It falls to famed detective Hercule Poirot (Branagh) to solve the crime.

What’s the verdict: The latest big screen go-round for Agatha Christie’s beloved whodunnit is much like the titular choo-choo. Handsomely decorated, but never building to a full head of steam and derailing halfway through...

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Tears and Laughter: Movie Reviews


Tears and Laughter: Women in Japanese Melodrama runs until Wednesday 29th November at the BFI Southbank. For more information and to book tickets, click here.

To read an interview with season curator and Sight and Sound features editor James Bell, click here.


OSAKA ELEGY

Director: Kenji Mizoguchi

Writer: Yoshikata Yoda (screenplay), Tadashi Fujiwara (dialogue)

Cast: Isuzu Yamada, Yôko Umemura, Benkei Shiganoya

Cert: PG

Running time: 71mins

Year: 1936



What’s the story: To pay off her father’s debts and her brother’s university fees, young switchboard operator Ayako (Yamada) becomes her boss’ mistress. But, when he rejects her she is forced into prostitution.

What’s the verdict: A pre-war film from director Kenji Mizoguchi, the 1936 Osaka Elegy anticipates Japan’s rejection ...

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