Monthly Archives September 2018

BFI London Film Festival 2018 Preview, BlackkKlansman & FrightFest 2018 Round-Up

Episode 49 is a bumper edition of The Electric Shadows Podcast. Robs Daniel and Wallis round-up FrightFest 2018; Rob D waxes enthusiastic about Pascal Laugier’s Incident in a Ghostland and Sam Ashurst’s Frankenstein’s Creature and Rob Wallis is impressed with Gaspar Noe’s Climax… so to speak.

Read Electric Shadow’s FrightFest 2018 coverage here

As this is the first podcast since July, the pair capsule review Spike Lee’s excellent BlackkKlansman, they differ over Ant-Man and the Wasp, and Rob W reveals what he thought of The Meg, The Children’s Act, Christopher Robin and more.

Then onto the main course, as the Robs reveal what is getting them excited about the BFI London Film Festival 2018...

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Hidden Stains – Jon Knautz Talks The Cleaning Lady

His 2007 feature debut may have been titled Jack Brooks: Monster Slayer, but writer/director Jon Knautz has become a filmmaker notable for movies providing women with complex, meaty roles. Sure, the films he directs and co-writes swim in the more shadowy side of the lake, but works such as The Shrine, Girlhouse and Goddess of Love are notable for their compelling female leads and character driven stories.

This also applies to The Cleaning Lady, Knautz’s latest movie, co-created with regular collaborator Alexis Kendra. As well as performing co-writing and producing duties, Kendra also stars as Alice, a “love addict” feeling trapped in a joyless affair with a married man. To distract herself from this, Alice befriends Rachel Alig’s shy Shelley, the cleaning lady in her building...

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Corvidae

Director: Tom de Ville

Writer: Tom de Ville

Cast: Maisie Williams, Jamie Davis, Archie Duffy, Joe Wolstenholme, Edward Wallace

Cert: 12

Running time: 11mins

Year: 2018



What’s the story: Young ornithophile Jay (Williams) attempts to nurse a crow, injured by local boys. Those boys then set their sights on Jay.

What’s the verdict: No matter how long it takes, some directors must get their story told. Writer/director Tom de Ville fits nicely into that bracket; his memorable, unusual Corvidae spent six years reaching the screen.

The bulk of principal shooting occurred back in December 2012, with editing, scoring, reshoots and FX work filling out the rest of the time (with crowdfunding assistance, presumably for the visual effects shots).

Happily, the result was worth both time and effor...

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