The Lodge tagged posts

12 Must-See Movies at the 63rd BFI London Film Festival

October is the best month of the year. It begins with the first signs of autumn. It closes with Halloween. And in between is the BFI London Film Festival.

2019’s 63rd LFF delivers a stellar line-up of the year’s finest movies. Sure, there are surprising omissions: if they are holding back Bong Joon-ho’s Palme D’or winning Parasite for the Surprise Film we’ll be ticked off. But, between opening film The Personal History of David Copperfield and closing film The Irishman are a wealth of cinematic treasures.

Noah Baumbach’s Marriage Story, Pablo Larraín’s Ema, his follow-up to 2016’s Jackie, Judy and Punch starring Mia Wasikowska, The Two Popes with Anthony Hopkins and Jonathan Pryce, Takashi Miike’s First Love and Shia LaBeouf’s part-autobiographical Honey Boy...

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The Lodge (2019)

Director: Severin Fiala, Veronika Franz

Writers: Sergio Casci, Severin Fiala, Veronika Franz

Cast: Riley Keough, Jaeden Lieberher, Lia McHugh, Richard Armitage, Alicia Silverstone

Producers: Aliza James, Simon Oakes, Aaron Ryder

Music: Danny Bensi, Saunders Jurriaans

Cinematography: Thimios Bakatakis

Editors: Michael Palm

Cert: 15 (TBC)

Running time: 100mins

Year: 2019



What’s the story: The teenage Aidan (Lieberher) and his younger sister Mia (McHugh) spend the run-up to Christmas in an isolated lodge with their dad’s new partner, Grace (Keough). Strange events soon begin to take a psychological toll.

What’s the verdict: Filmmaking duo Severin Fiala and Veronika Franz’s follow their 2014 cult hit Goodnight Mommy with anothe...

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Reservoir Dogs at 25 – The Electric Shadows Podcast

For this special Reservoir Dogs 25th Anniversary episode, Robs Daniel & Wallis are joined once more by Ian Bird. You’ll remember Ian from his wise words on the JFK podcast. Together they dissect Quentin Tarantino’s sensational debut, discussing its strengths, characters, themes and controversial use of language. And that whole Who Shot Nice Guy Eddie thing.

The three intrepid podcasters place the movie in the overall picture of Tarantino’s career and discuss Tarantino’s cinematic legacy. Could there be a case for the Marvel Cinematic Universe being an extension of what Quentin was doing with his movies in the 90s and noughties? Or Joss Whedon taking the QT baton and running with it into fantasy realms rather than crime? These thoughts and more are given their day in court…

While making ro...

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