Darkest Hour tagged posts

2018 – Rewind and Re-View

Time thwarted us and we didn’t get chance to write up a review of 2017. We weren’t going to allow a second year to pass without forcing our opinion of how the year in cinema shaped up on the cinema-going public.

2018 may have seen politicians outdo themselves in dumb-fuckery and the world was put on final notice regarding climate change. But, amidst the wreckage there were pleasures to be had. Many of them found within the dark confines of your local picture house.

Here are some of the most notable moments. But, to match the mood of the year, we’ll open on a downer…


WORST FILM OF THE YEAR – You Were Never Really Here

Lynne Ramsay’s adaptation of Jonathan Ames’ novel is not bad in the sense that it is poorly made...

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Oscar Nominees 2018 – The Electric Shadows Podcast

In Episode 38 of The Electric Shadows Podcast, Robs Daniel & Wallis provide their take on the 2018 Oscar nominations.

They run through what they agree with – hello Get Out, The Shape of Water, Three Billboards, Lady Bird. They umm and ahhh over that particular film they really don’t like – seriously, how can Darkest Hour be up for Best Picture when it is not nominated in Best Director or Best Screenplay? The Robs run through the films that seem to have been snubbed – Wonder Woman, The Disaster Artist and Michael Stuhlbarg for Call Me By Your Name.

They also have fun saying Call Me By Your Name… it’ll all make sense in the podcast. Although the pair do become quite punchy running through lists of nominees. Wait til you hear their theory on how the Visual Effects in War for the Planet of th...

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Three Billboards… & Darkest Hour – The Electric Shadows Podcast

In Episode 37 of The Electric Shadows Podcast, Robs Daniel & Wallis look at one of the best films of the year and a contender for one of the worst.

Impressing them is Martin McDonagh’s Three Billboards Outside Ebbing, Missouri. A dramatic, witty and compassionate tale of a mother’s anger at the local police for not finding her daughter’s killer, it is a powerhouse of adult storytelling, populated with some of the best characters yet from the man behind In Bruges.

At the other end of the spectrum is Darkest Hour. Joe Wright’s film presents Winston Churchill as the eccentric man of the people popular history likes to portray him as. It all amounts to little more than Sunday afternoon TV fluff, until Wright and co present a scene so misjudged and tin-eared it ruins their movie...

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Darkest Hour (2017)

Director: Joe Wright

Writer: Anthony McCarten

Cast: Gary Oldman, Kristin Scott-Thomas, Stephen Dillane, Lily James, Ben Mendelsohn, Ronald Pickup

Cert: PG

Running time: 125mins

Year: 2017


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What’s the story: As Britain stands alone against the Nazis, and its army awaits capture at Dunkirk, newly appointed prime minister Winston Churchill clashes with critics in his own party about fighting Germany or negotiating for peace.

What’s the verdict: Unlike those brothers who shared his family name, Joe Wright has yet to successfully land a project. Sometimes his films soar briefly. But, audience expectations crash to earth with a sense of frustrated disappointment (Atonement) or outright annoyance (The Soloist).

Darkest Hour promises to be the director’s most sustained movie yet...

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