practical effects tagged posts

Nolanverse: 10 Ways to Spot You’re Watching a Christopher Nolan Film

On location for Dunkirk, Christopher Nolan shows Kenneth Branagh the way home

‘Coming To Theaters’ announces the new trailer for Christopher Nolan’s Tenet. Perhaps wisely, it is not date specific. That current 17th July release may end up as wobbly as the temporal laws in the film itself.

But, we will see Tenet at some point in the next twelve months, preferably sooner rather than later. The trailers for Nolan’s 11th theatrical outing promise the you’ve-forgotten-all-about-your-popcorn-event-cinema experience we’ve now come to greedily expect.

Since debuting with 1998’s Following, Nolan’s films have ventured into deep space, deep inside the mind, redefined the superhero movie, and showed us what new ground (air and sea) can be covered in the war movie.

Like his character...

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Color Out of Space

Director: Richard Stanley

Writers: Richard Stanley, Scarlett Amaris (script), H.P Lovecraft (short story)

Cast: Nicolas Cage, Joely Richardson, Madeleine Arthur, Brendan Meyer, Tommy Chong

Producers: Daniel Noah, Josh C. Waller, Lisa Whalen

Music: Colin Stetson

Cinematography: Steve Annis

Editor: Brett W. Bachman

Cert: 15

Running time: 111mins

Year: 2019



What’s the story: When a meteorite crashes onto the land of alpaca farmer Nathan Gardner (Cage), it causes strange, horrific changes in him and his family.

What’s the verdict: Last year it was Mandy...

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Sorcerer – William Friedkin’s zero hour contract masterpiece

When discussing Blade Runner, Ridley Scott said, “It’s as bad to be ahead of your time as behind it.”

Director William Friedkin can sympathise with this.

In the early 1970s he was a filmmaker in synch with the mood of the nation. He revitalised the cop thriller with The French Connection in 1971, nabbing Best Director and Best Film among a five Oscar haul.

Two years later he reinvented horror cinema for the modern age with The Exorcist.

Then, in 1977 he delivered to American audiences Sorcerer, a film fundamentally at odds with a country aching to slough off a decade of uncertainty and corruption.

A loose remake of Henri-Georges Clouzot’s 1953 thriller The Wages of Fear and Georges Arnaud’s same-name source novel, Friedkin’s movie was too bleak for a nation hungry for the escapist th...

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