Richard E. Grant tagged posts

Star Wars: The Rise of Skywalker – The Electric Shadows Podcast

The Electric Shadows Podcast reaches its three-quarters of a century mark! And in the 75th episode Robs Daniel and Wallis see just how strong the Force is with Star Wars: The Rise of Skywalker.

The film has proven as divisive (almost) as The Last Jedi, and our two intrepid casters in pod have opinions on what it does well and where it stumbles. We don’t want to spoil the discussion here too much, so we’ll not go into specifics. Suffice to say, there is a spoiler section because the film packs in quite a few surprises. But, it’s behind a clearly defined spoiler wall midway through, so don’t worry.

Also, this will be the final episode under the moniker, The Electric Shadows Podcast...

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Star Wars: The Rise of Skywalker

Director: J.J. Abrams

Writer: J.J. Abrams, Chris Terrio (story and script), Derek Connolly (story), George Lucas (characters)

Cast: Daisy Ridley, Adam Driver, Oscar Isaac, John Boyega, Carrie Fisher, Anthony Daniels, Ian McDiarmid, Richard E. Grant, Domhnall Gleeson, Billy Dee Williams, Kelly Marie Tran, Keri Russell

Producers: J.J. Abrams, Kathleen Kennedy, Michelle Rejwan

Music: John Williams

Cinematography: Dan Mindel

Editor: Maryann Brandon, Stefan Grube

Cert: 12

Running time: 141mins

Year: 2019



What’s the story: When Emperor Palpatine (McDiarmid) returns, the Resistance must find his base before he brings destruction to the galaxy. First Order Supreme Leader Kylo Ren (Driver) hunts both the Emperor and fledgling Jedi Rey (Ridley).

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Logan

Director: James Mangold

Writers: James Mangold, Scott Frank, Michael Green

Cast: Hugh Jackman, Patrick Stewart, Dafne Green, Stephen Merchant, Richard E. Grant, Boyd Holbrook

Cert: 15

Running time: 137mins

Year: 2017



What’s the story: In a crumbling America of the future with most mutants gone, Logan (Jackman) ekes out a living as a limo driver. He also cares for an ailing Charles Xavier (Stewart) who he has stashed south of the border. Into Logan’s world comes mysterious 11-year-old girl Laura (Keen), fleeing various shadowy agencies and who Charles insists Logan must protect.

What’s the verdict: For Hugh Jackman’s final outing as adamantium-skeletoned, razor wielding grumpy boots Wolverine, the strapping Aussie has used all the luminosity of his star wattage to do it his f*ck...

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The Best Films of the 2016 BFI London Film Festival

la-la-land-ryan-gosling-emma-stone

Another BFI London Film Festival belongs to the ages. And this 60th anniversary festival was done proud by some of the best cinema you will see this year (or next dependent upon UK release patterns).

Below is Electric Shadows’ Top 10 of this year’s LFF. Please note that in Brexit Britain immune systems seem to have fallen as low as the pound. With a heavy cold racking this gutsy scribe’s constitution, part days and bed rest replaced full film indulgence. This meant Personal Shopper, Certain Women (the LFF’s Best Film winner), The Birth of a Nation, Dog Eat Dog and Ethel and Ernest were all missed in favour of Lemsip and blankets.

All the above movies seem like Top 10 contenders.

Press screening scheduling clashes meant Elle was chosen over Manchester By the Sea and Your Name over ...

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Dom Hemingway

Dom Hemingway - quad posterDirector: Richard Shepard

Writer: Richard Shepard

Cast: Jude Law, Richard E. Grant, Emilia Clarke, Demian Birchir, Kerry Condon

Cert: 15

Running Time: 93mins

Year: 2013

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The lowdown: Pretty posh lad Jude Law slaps on sideburns, piles on the pounds and dusts off his best Del-boy impression to play the eponymous safecracker, recently released and looking for compensation after a twelve year stretch. A somnambulant Richard E. Grant is on hand as Dom’s long-suffering sidekick. Writer/Director Richard Shepard (The Matador) tries to give his crude creation an original voice but the result is more bellowing bore than Sexy Beast.

Dom Hemingway - Jude Law, Richard E Grant, EurostarDom Hemingway - Jude Law, grinning

The full verdict: The indulgent tone for this brash Brit-flick is set from the start with an imprisoned Dom (Law) delivering a lengthy, Steven Berkoff-style paean to h...

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