Category Features
Currently making an impact on the festival circuit, Jenn Wexler’s The Ranger is a horror home-run. When a gang of punks run foul of the law they flee to a cabin in the nearby woods. But soon discover the laws of nature are governed by a terrifying park ranger with a lethal zero tolerance policy on infractions.
Deftly working in elements of Green Room, The Blair Witch Project and Friday the 13th, it rises above mere pastiche due to Wexler’s deft direction and great performances from Chloe Levine as the troubled Chelsea and Jeremy Holm, larger than life as the titular park official.
A horror movie producer for Glass Eye Pix, The Ranger is Wexler’s directorial debut...
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The biggest monster in 2018 is my dear friend who has chosen to get married abroad this August Bank Holiday weekend.
Ahem, I jest. It is, of course, a privilege to be invited to his wedding. Plus, it means I shall spend the next 12 months catching up with the fantastic films listed below. An all-year-round FrightFest? There’s an idea…
Arrow Video FrightFest 2018 sees the festival entering a remarkable 19th year, and showing no sign of easing up on the shocks, surprises, special guests and treats.
Located at Leicester Square’s Cineworld and Prince Charles Cinema, the celebration of shivers runs from Thursday 23rd to Monday 27th August.
Over these five days FrightFest will showcase a record breaking seventy movies from eighteen countries...
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Pink Flamingos. Society. Ichi the Killer. The Sound of Music. Sometimes a film comes along so wild, weird, whacked-out and debauched, it sears itself into the brain forever.
Attack of the Adult Babies is such a cinematic experience.
A suburban family stumbles upon a world of privileged perversion in a palatial country manor house. Here they discover elite middle-aged men indulging in infantalised fetishism, and it’s all about to get murderously messy. Yet, that’s just the tip of the iceberg. Wait until they get to the bottom of things.
The brain child (or baby) of Dominic Brunt and Joanne Mitchell, the team behind British horror flicks Before Dawn and Bait, and scriptwriter Paul Shrimpton, Attack of the Adult Babies is a film to witness in mouth-open disbelief...
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Watching Die Hard today could not be easier. Simply add it to your digital basket and chances are you’ll be watching it in under 24 hours. Or the very same day. In 4K Ultra-HD if you are so set-up.
But, things were different for us UK action junkies who were teenagers when the film was released. First up, as was the fashion of the time, despite a US release date of July 1988, we had to wait until February ’89.
Now it is a BBFC certificate 15 (although DVD extras push it to 18). Back then the film was an 18, meaning another wait for video later in the year and then persuading a parent the film was worth renting. The final hurdle, if you lived in rural Northamptonshire as I did, was that 10 VHS copies of Die Hard had to cater for a town of 10,000 people...
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Another year, another 10 movies that define why we love cinema. 2017 was such a strong year for film releases that many excellent movies failed to make our Top 10.
Honorary shout-outs then to such must-sees as Wind River, IT, Mother!, Una, A Silent Voice and Wonder Woman. Great movies all, all pipped to the post by the titles below.
Whatever brow-furrowing misbehaviour 2018 brings, one sliver of good news is that cinema should remain in fine shape. From what we saw at the London Film Festival in October, at least three five-star movies will be released next year.
But, without further ado, here is Electric Shadows’ 10 Best Films of 2017…
Writer/director S...
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From Monday 16th October to Wednesday 29th November, the BFI Southbank will be showcasing the Sight and Sound Deep Focus season, Tears and Laughter: Women in Japanese Melodrama.
Exploring Japanese cinema’s Golden Age with a distinctly female focus, across thirteen films it features the great Japanese actresses from the 1940s to the early ‘60s and the emerging New Wave.
Audiences will be familiar with some of the directors included in the season, such as Yasujiro Ozu, Mikio Naruse and Kenji Mizoguchi. But, Tears and Laughter highlights the work of such legendary actresses as Setsuko Hara, Machiko Kyô, Hideko Takamine and the extraordinary Kinuyo Tanaka, the only woman who also directed films during the Golden Age.
As with other Sight and Sound Deep Focus seasons, this is an opportunit...
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For movie lovers, October is London Film Festival time. Specifically, Wednesday 4th to Sunday 15th October this year.
Now in its 61st year, organisers have ditched including the number in the name, favouring the trendier sounding BFI London Film Festival 2017.
Whatever the moniker, the festival is guaranteed to deliver first rate films over 12 celluloid (and digital format) stuffed days.
While there are big hitters amongst the 242 films screening from a whopping 67 different countries, this year we’re most excited by the darker end of the festival.
Still present are the typical galas and strands. Andy Serkis’ directorial debut, Breathe, is the Opening Night Gala...
Horror Channel FrightFest 2017 has come and gone. Like any good horror icon, it will be back. But, let us take time to reflect upon a suitably wild eighteenth year for the festival. For the first time we have decided to round-up FrightFest with a series of awards. Awards which we hope will provide a flavour of what FF 2017 was like. So, until FrightFest 2018…
BEST “INTRO & Q&A” AWARD– Jennifer Tilly, Cult of Chucky
“I’m here now, bitches!” If we learnt one thing at FrightFest 2017, it’s that an intro to a movie and said movie’s Q&A will go insane if Jennifer Tilly is in the room. A force of nature, when director Don Mancini was late announcing her she burst onstage with, “I have a thing about people starting without me. But, I’m here now, so continue Don, I would love ...
You may not have heard of Todd Tucker, but you will certainly have seen his work. A Hollywood make-up artist for over twenty-five years, he has worked on such films as Pirates of the Caribbean, Watchmen, The Boy, Ouija: Origin of Evil and more.
Tucker is also co-founder of movie make-up and prosthetic company Illusion Industries. So, the man knows something about fantasy films. All of which is why his latest outing as a director, The Terror of Hallow’s Eve, is a winner.
A tale of bullied young horror movie fan Tim, and the accidentally deadly deal he makes with a malevolent spirt to get revenge, it’s an affectionate funhouse frightener with characters you can root for.
Tucker’s film is also an unabashed homage to classic 80s movies in the John Carpenter and Steven Spielberg tradition...
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